Bruny Island - A Unique Festival for the Children’s Literature Community

How do I sum up the Bruny Island Festival of Children’s Literature? Fabulous, fantastic, frantic and that’s just my f (un) -words. It was so much more on so many levels. Crossing from the mainland by ferry to Bruny Island was a stunning start. Lisa O’Riley Associate Publisher for Penguin and I followed the welcoming Marion Stoneman, events manager for the Tasmanian Writers Centre. We climbed the steep steps at the isthmus, the narrow strip between North and South Bruny. The views of ocean, steep cliffs and bush were breathtaking.

Bruny Island is a special place with the national park, rainforests, wildlife, farmland, cottage industries with berries and chocolates and cheese, pristine bays with sandy beaches and the extraordinary albino wallabies.  The authors and illustrators were star-struck when they witnessed an albino joey hopping out of his brown-grey mother’s pouch.

The Festival Convenor and award winning Tasmanian children’s author Anne Morgan had a grand vision. She would bring many of Australia’s major children’s authors and illustrators from Tasmania and all over the country to Bruny Island.  With the great support of CBCA Tasmania’s Jessie Mahjouri, Anne and Jessie embarked on the two year logistical nightmare of the first Bruny Island Festival of Children’s Literature. The theme of inspiring creativity for young people; author and illustrator presentations; professional development of Tasmanian authors and illustrators; engagement with community; and celebration of story underpinned the ethos of this Festival.

The amazing Viking duo of author Norman Jorgenson and author-illustrator James Foley of ‘The Last Viking’ fame, were flown from Western Australia to stamp this festival with Viking horns and all things Viking.  James and Norman led kids making Viking swords and helmets and having the best time ever. The building of the Viking ship was a community experience with local artisans building the boat, James Foley creating the Viking design for the head mast and kids and families charging along the beach for the great launch.  However the piece do la resistance had to be the huge metal fire-breathing dragon made by a local craftsman for the Festival.

The festival was so diverse. There was a film festival with screenings of Wendy Orr’s Nim’s Island and Return to Nim’s Island with an enlightening post film talk and Q & A by Wendy.  A performance of Anne Morgan’s play Captain Clawbeak and the Curse of the White Spot acted by locals parents and children who had the audience laughing and cheering.  An art exhibition launched by award winning Tasmanian author-illustrator Christina Booth at Lumeah Art Gallery with a lunch by the Country Women’s Association. How wonderfully Australian. A Literary dinner with authors Norman Jorgenson and Susanne Gervay inspiring an enthusiastically packed restaurant despite the dramatic storm that nearly blew off the roof. The storm also blew down the Festival marquees at Adventure Bay.

The Society of Children’s Book Writers and Illustrators (SCBWI) day in the quaint wooden Anglican Church in Adventure Bay was an extraordinary professional day,  Lisa Riley giving a publisher market report on the children’s publishing industry. The star line up of authors included award winning WA authors Norman Jorgenson, Dianne Wolfer; WA author-illustrator James Foley; award winning Tasmanian illustrators Christina Booth and Gay McKinnon; best-selling Tasmanian authors  Liam Tanner and Sally Odgers; Queensland’s wonderful author,  Sheryl Gwyther, NSW author Jodie Wells-Slowgrove, Victoria’s award winning author Wendy Orr, convened by NSW author Susanne Gervay.  Dianne Wolfer’s video about her acclaimed ‘Light Horse Boy’ was moving. However the stellar moment had to be when the acclaimed Tasmanian author Julie Hunt arrived with zucchinis. She grows them big on her farm. Very, very big. It led to quite a few jokes as everyone took them. Thankyou Julie.

Writers were privileged to have manuscript critiques from Lisa Riley who gave invaluable and detailed advice. 

There were so many special experiences. Breakfast at the Berry Farm was a gourmet indulgence of fresh berries and pancakes. The shared houses with authors and illustrators bonding and the fire blazing. The weather was chaotic with cold nights, rain, sun, winds. Brave illustrator Gay McKinnon went for a swim in the freezing cold bay. She was determined to do it as she’s a Tasmanian after all. No one else did. The delicious food made by the Men’s Shed who cooked up a storm in the hall for the festival go-ers.  The excitement of the kids with autographed books they bought from the author and illustrator stalls. The wonderful Hobart Bookshop who brought a ton of books to Bruny Island for the Festival. Loved the conversation with bookshop owner Janet Grecian about children’s books.

The volunteers did so much from driving the presenters everywhere from Hobart airport to the events in Bruny, setting up and hosting workshops and sorting the many issues that are part and parcel of such a complex 4 day festival. They were very tired by the end of the festival. Anne Morgan and Jesse Mahjouri were extraordinary.

Anne Morgan’s vision received support from Chris Gallagher CEO and The Tasmanian Writers Centre, Cultural Copyright Agency, SCBWI, CBCA, Events Tasmania, Kingsborough and others, making this festival accessible to children, families, writers, illustrators and community in regional Tasmania.

Thankyou for the privilege of being part of this celebration of the joy of story.
Susanne Gervay

Regional Advisor SCBWI Australia East & New Zealand

www.sgervay.com

Handy reference guide for ANZAC Day resources

This year, on ANZAC Day, we observe the anniversary of a military event that has had a profound effect on Australian culture; the 100^th anniversary of Gallipoli. A timely reflection in “lest we forget”.

Mud and blood and tears is an annotated list of children’s books about war and conflict. It was compiled by Margaret Hamilton AM, Julie Long OAM and Rosemary Thomas to commemorate last year’s 100^th anniversary of the commencement of World War I. The authors have collated and edited 176 book summaries to create a quick and easy-to-use reference guide. Many of the books have animal themes, to make a dark subject matter more palatable to students and enhance the connections they make to the material. There are books that will appeal to students from Kindergarten to Year 10: picture books, poetry, narratives and historical recounts. The book titles are listed by author, there are indices for titles and illustrators and each entry provides information on whether it is suited to older or younger readers, is non-fiction or a picture book.

I will be planning a history unit, for my upper primary class, on Gallipoli. To help me find engaging material, I will begin and end my search with this handy reference guide. The book is mainly aimed at educators (both at school and at home), librarians and collectors of children’s war literature. In the classroom, choosing the most relevant history materials assists students with their historical skills, knowledge and understanding, such as: the causes and effects of change, experiences of people in the past, comparing information from a range of resources and the effects of a key event on Australian society.

Why would this 48 page, soft-covered publication be a handy addition to your bookshelf? Well, if you’re an educator, then you will be impressed by the wide range of books that cater for all school grades and assist the delivery of History and Civics & Citizenship units with reading suggestions for projects or your class library. Librarians will find it useful to assist them to direct staff, students and historians to specific books and highlight gaps in their collections for future purchases for their library lists. Mud and blood and tears is also a great read for anyone who loves history. I read the ‘blurbs’ and found myself thinking: “I didn’t know that”. A copy of Mud and blood and tears can be purchased through the CBCA Tas website by completing this order form.

 
Happy reading. I’m off to buy The legend of the Light Horse; (noted on page 25) by Ian Jones. I can’t wait to see the maps and artwork!

Helen Rothwell

New Year’s 'Reading Resolution' – Have you kept yours?

This year I didn’t make any reading resolutions (other than one imposed upon me, to “weed” our home library). I did think of trying the Book Riot challenge until I decided what I was doing was fitting what I was reading to the challenge not choosing books to read because of it.

The best of this year’s reads so far:

Laurinda Alice Pung (reading copy supplied by Black Inc)

Shortlisted for the INDIE Book Awards 2015

Lucy is an inaugural scholarship girl at a prestigious private school. This is a story about bullies who are popular yet universally disliked, teachers who care more about achievement than about their students; people from impoverished suburbs who have more dignity than those who judge them - an exceptional story about a first generation immigrant.

 

Nona and me Clare Atkins (reading copy supplied by Black Inc)

Rosie and Nona had been friends/sisters as young children. Now it’s year 10 and they meet again. A remarkable debut about family, kinship, country, racism and identity.

All the bright places Jennifer Niven (reading copy supplied by Penguin)

I don't like the many comparisons to Fault in our stars or Eleanor & Park though I believe many fans will "enjoy" this book about suicide and mental illness told from the points of view of the main characters. Finch, who refuses to accept “labels”, is suffering from bipolar disorder and living in a dysfunctional family; Violet, the former perfect girl, is a grieving and depressed survivor of an accident that killed her beloved sister. Heartbreakingly realistic.

Egg and spoon Geoffrey Maguire (reading copy supplied by Walker Books)

A fantasy about an impoverished peasant girl and a rich girl as their lives collide with Baba Yaga, witch of Russian folklore, in her ambulatory house perched on chicken legs. At times slow (like Mother Russia) but delightfully funny and insightful.

The jewel Amy Ewing (reading copy supplied by Walker Books)

At age twelve, Violet was taken to a holding facility to learn how to control her augury abilities and to be groomed to be sold at auction as a surrogate (a necessary commodity) for the rich women of The Lone City. This first in a series about power, political intrigue and survival has more layers than the pretty cover reveals.

The scandalous sisterhood of Prickwillow, Julie Berry, Piccadilly Press

A Victorian farce in the true sense of the word. Murder, mystery, school girls and romance - action packed humour.

How are your 2015 Reading Resolutions?
Nella Pickup

 

In Praise of Nonsense

Ten years ago (it shocks me that it was really that long!) Telstra had a very clever little advertisement that they used to use to plug their burgeoning broadband service. The ad featured a little boy in the back of the car completing his homework.

“Dad?” he asked his father. “Why did they build the Great Wall of China?”

The father at the wheel, visibly panicking, refuses to appear ignorant in front of his son.

“Oh. That was during the time of...errr… Emperor Nasi Goreng, and it was to keep the rabbits out.”

The boy happily records the answer in his book, and we are treated to a close up shot of him in front of the classroom, ready to give his report on China. He is, we realise, about to make an utter fool of himself. The message of the commercial is simple: take the pressure off yourself and get the internet, because the internet has the right answers. Making things up is bad.

I for one lament this obsession with empirical facts. When I was in high school I memorised Lewis Carroll’s fabulous poem, “Jabberwocky,” and it is one of the few things I can still remember with great clarity. Like Alice, I knew roughly what the poem was about, though not specifically what time “brillig” was, or what it meant to “gimble,” or even what a “jabberwocky” might look like (though plenty of films have come along and tried to fill my mind with their own versions of it now). Could you even write a book like Alice in Wonderland now and get it published? Would anyone even think to? Writers from Seuss to Shakespeare have gleefully made up words with abandon, yet I’ve been prone to argue over whether something is a “real” word before I accept it’s usage. And what is a “real” word, anyway? It seems to me that sometimes nonsense can be better than believability, because nonsense opens up our imagination. It leaves blank spaces for our minds to feel with beautiful images. In nonsense, we can dream.

I have had wonderful eccentric teachers who have convinced their students that they are the grandchild of Tutankhamun discoverer Howard Carter, or a witch who would love to take her young friends for a ride on her broomstick, if only they would wake when she visits them in the night! (They are always so disappointed.) Most of us have grown up with grandparents who enthralled us with stories that stretched our disbelief to its very limits. But didn’t we love them just the same? Didn’t we love silliness? Didn’t we want to believe, even if we knew in our hearts that it couldn’t be true?

So call this, if you will, in praise of nonsense. A call to nonsense. Let us make up words and tell far-fetched stories. Let us tell of the trees that spoke to us and told us their secrets, and the quenzifinas and the tantalopians that can sometimes be spotted racing like shooting stars in the shadows of the moon. Let us - just for the hell of it - imagine what might have happened if an emperor called Nasi Goreng built an enormous fence in China to keep the rabbits out.

In the modern world, the truth is easier to find than ever. Just for a moment, let’s embrace the wonder of a well told lie.

Lyndon Riggall

The complete work

When sharing and responding to children’s literature we are usually referring to a finished product, in most cases a book, however the process that lead to the physical item should also be examined to determine quality and excellence - how it evolved from an initial idea to being captured by an author’s and/or illustrator’s imagination and finally designed and published as a complete work.  

There are several books aimed at young readers that explore this creative process as well as encourage and provide inspiration to budding authors.

For very young readers Parsley Rabbit’s book about books by Frances Watts and David Legge, is a wonderful introduction to the world of books and its components. 

More detailed information on how books are created and the people involved in the process is presented in Eileen Christelow’s book What do authors and illustrators do?

If you are looking for writing inspiration try the practical activity book Once upon a slime: 45 fun ways to get writing fast! by the popular duo Andy Griffiths and Terry Denton;  or explore Scholastics’ online Story starters  to generate fun, crazy themes and start writing and publishing on the templates provided.

Tricia Scott

Living in a fantasy

I hope all our readers had a lovely festive season and that Santa was good to each and every one of you!

One of my gifts was a jigsaw puzzle. Its from a painting by the marvellous Thomas Kinkade, called The Wizard of Oz. It’s a fabulous rendition of the four characters making their way down the yellow brick road, and the colours are absolutely vibrant. I am so looking forward to getting started.

It was in the year 1900 (yes, that's 115 years ago) when L Frank Baum published The wonderful wizard of Oz. But he certainly wasn't the first to delve into the world of fantasy fiction. The genre dates back to antiquity with Homer's Odyssey written in the 9th Century BC and Beowulf circa 700 AD.

Children's fantasy really came to life following the publication of the Brothers Grimm's fairy tales in 1812-15. Then there was Alice's adventures in Wonderland (1865), The Hobbit (1937) and The chronicles of Narnia (1950-56), just to name a few.

These days there are a plethora of authors writing in the fantasy genre. There are fantasy movies, fantasy TV shows, fantasy games and even fantasy conventions. Foxtel even has a whole channel devoted to the fantasy genre.

So why do we love fantasy so much? Well, for starters, its fun; there is usually a moral to the story; the characters are very different to those we meet in real life - and it can captivate our minds so that we escape from reality, just for a while.

A bit like Santa really...

Penny Garnsworthy

Editor’s note: Do you have a favourite children's fantasy to add to Penny's suggestions?

The following two useful sites explore the long and fascinating history of children’s fantasy literature. For a brief overview look at Children’s literature classics: The fantasy genre and a more in depth exploration at TheBritish Library: Fantasy and fairytales in children’s literature.

Interactive storybooks

Do you own a smartphone or a tablet device – either iPad or Android? If so I hope you have started to explore the reading opportunities for both yourself and your children, and especially as an alternative means to read and explore stories with the family.

As an adult, it quite possible that you have started buying, borrowing or downloading free e-books, either on your tablet, an e-reader, on a computer or smartphone, or alternatively listening to audio recordings on your device. Are you children getting the same opportunities? Interactive e-book publishing for children’s books offers an exciting, evolving and engaging format available through app purchases and downloads. A good starting point get a feel for the younger market is iStoryTime.

As a brief introduction to this alternative way to share stories with your children and for them to develop independent reading habits and opportunities to investigate the story beyond the text, these are some of my favourites. A good place to start is with renowned Australian children’s author and illustrator Graeme Base. For a fraction of the cost of a print copy, both Animalia and The waterhole can be purchased and will provide hours of fun, starting with Graeme telling the story and then supported with a range of puzzles and activities to explore deeper layers of the words and illustrations.

Nick Bland is another icon on Australian picture book scene. Find out about Nick’s latest publishing venture Wheelbarrow where several of his own books have been developed into apps. Along with his bear books: Cranky bear, Hungry bear and Itchy bear, one of my all time favourites is the The wrong book which is an absolute delight to share with a child as the story is told through the app and with the device as physical movement adds another dimension to the exploits on the screen. I think this book was immortalised for me, and an auditorium full of students, during its rendition on the big screen as the chosen text for National Simultaneous Storytime in 2013. You can view it in action on YouTube  if you are not convinced :-). Wheelbarrow are branching out in the digitisation of books, so look out for Shaun Tan’s The rules of summer as another interactive book worth investigating. And remember, that a good storybook app has so much more than the story!

Interactive story apps are an expanding market and one well worth exploring. This is just a brief introduction and I trust that it will send you off to start exploring further.

Jennie Bales

Australia’s past

Happy New Year to all our readers. I hope you had some wonderful books among your Christmas goodies.

As Australia Day is at the end of the month, I thought I’d look at some of the wonderful historical publications which we have, celebrating our history. I have chosen to focus on early settlement, on books I like, and have not checked whether they are currently in print, but if not many will be accessible through your local library.

The true story of JohnNicol, illustrated by Julian Bruere.

John Nicol’s sea adventures began in 1769 when he was aged 14 and included a trip to Australia on the Lady Julian (or Juliana), one of the Second Fleet convict ships, arriving in Sydney in 1890. This book includes some of Nicol’s own prose, taken from his very readable Life and Times … first published in 1822.

The mostly true storyof Matthew and Trim by Cassandra Golds and Stephen Axelson.

Trim was Matthew Flinders’ loved cat who accompanied him on some of his voyages. This is the remembered story of their adventures together as well as Trim’s adventures after Flinders was imprisoned by the French.

A penny to remember by Kirsty Murray

Young George is transported to Van Diemen’s Land while his sister stays in London working for the Dimples. Eventually this family decides to emigrate to Tasmania and George and Hannah are re-united.

Nanberry: Black brother white by Jackie French

This is a novel of the first years of settlement of Sydney when the influx of new settlers, free and convict, bring with them diseases hitherto unknown to the Aborigines. The reader learns of the devastation they cause. It is the story of Nanberry adopted by Australia’s first surgeon, John White, and living with his white brother. Based on true stories.

The goat who sailed the world by Jackie French

Among the animals and humans on board James Cook’s ship, Endeavour, was a well-travelled goat and her young carer, Isaac Manley, who went on to bigger and better things. The goat gave the crew milk for the whole of their three year voyage but had already sailed around the world before she set off with cook.

Surviving Sydney Cove by Alexander Goldie

A diarised fictional account of one young girl’s life in Sydney during two months in 1790, a time when the colony was struggling to feed itself.

The First Fleet: A new beginning in an old land by John Nicholson

Full of fascinating facts and detailed drawings, as Nicholson’s books always are, The First Fleet is a great introduction for young readers. Do you know how many tools were taken, or how much food was allowed per person? Or how many children were on the various ships of the fleet? (There were 32). This book answers those questions.

Playing Beatie Bow by Ruth Park

This historical paranormal story focuses on Abigail who suddenly finds herself in the Sydney Rocks area of the 1870s, having to cope with all the changes from her life of 100 years later. An Australian classic.

Meet Grace, Our Australian Girl series by Sophie Laguna

The four books in this series tell the story of Grace after she is sent to Australia as a convict. [Editor's note: Find out about other authors and titles in the Our Australian girl series]

Fair dinkum histories by Jackie French

This is a series of six titles each looking at a different period in Australia’s past. They are full of facts and cartoon-style illustrations. A great jumping off point for further explorations.

And I have just scratched the surface. We could go on to later decades in Australia’s settlement: the bushrangers, the years of exploring the continent, Federation and Australia’s involvement in war. But, for this time, though, a focus on early settlement.

What Australian historical fiction do you enjoy?

Maureen Mann