
Eleri Harris.
Image © Bee Elton
It is wonderful to conclude Book Week with a post from Tasmanian born Eleri Harris who is the Winner of the CBCA 2026 New Illustrator Award and the Eve Pownall Honour Award for the wonderful, comical and engaging A Loo of One’s Own: A Mostly True Tale of Australia’s First Female Parliamentarians. Eleri provides insight into her Tasmanian connections and how these influence and inform her written and artistic endeavours.
When my mother died suddenly in February, my brother hunkered down in my parent’s house in Hobart and began combing our family video archive to edit together grainy footage of her life for the funeral. An unexpected moment from a tape I hadn’t seen in decades has stayed with me. I’m 13 years-old and my father is interviewing me in my custard yellow bedroom, kunanyi clearly visible through the curtains. “What do you want to be when you grow up?” Dad asks. Without hesitation I respond glibly, “You know, Dad. I want to write and illustrate children’s books.” I have no recollection of this moment at all and yet there it is. On tape.
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| Eleri as a teenager, at home in Hobart. © Jacob Harris |
The last day I spent with my mother was in Devonport, at Enid Lyon’s residence, Home Hill, launching my debut picture book. Mum and I sipped tea from china cups and I talked to a small crowd about women in parliament, Enid’s life and children’s books. It’s a beautiful memory for me because I could feel how proud Mum was of me. That book, A Loo of One’s Own: A Mostly True Tale of Australia’s First Female Parliamentarians stars Tasmania’s own Enid Lyons, the first woman in the Federal House of Representatives. Set in Canberra, where I live now, it’s about feminism, democracy and toilets. While it’s the first picture book to bear my name, it’s not the first time I’ve referenced Tasmania in my work.
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| A Loo of One's Own. Eleri Harris. Published Allen & Unwin. |

Making Nonfiction Comics.
Eleri Harris & Mirk Shay.
Published Abrams ComicArts
I’ve been a professional cartoonist for well over a decade, mostly working for an American publisher, The Nib. Among my most celebrated works include a comic about gun control and the Port Arthur massacre, deforestation in the Styx and a serialised piece called ‘Reported Missing’ about the case of Sue Neill Fraser and Bob Chappell. The same year A Loo of One’s Own came out, a book I created with my friend Shay Mirk was released called Making Nonfiction Comics: A Guide to Graphic Narrative. In that book, I set an entire chapter at Macquarie Harbour, focusing on the story of pilot whales beaching.
I haven’t lived in Tasmania full time in 20 years, but stories from the island persist in seeping into my drawings and my writing. The place is part of who I am, so it seems straightforward that it should also be in the things I make with my hands. They say to write what you know, but I would argue for me it’s also drawing what you know. Tasmania is not just ingrained in the image file in my brain, it is the foundation of that collection. When I imagine a forest, it’s a temperate rainforest filled with ferns, when I imagine a boat, it’s a yacht pulling past Cape Raul, when I imagine a mountain, it is always kunanyi.
I don’t know that my career is what the child in the video would have imagined of her life, lived now mostly on the mainland and abroad. But I think she would be pleased with my elevation of her island home.
Eleri Harris
Cartoonist, Journalist & Editor
I: https://www.instagram.com/elerimai/













