Alyssa Bermudez, Hobart based illustrator, shares illustrator's insights into the challenges of representing characters that appear over multiple stories. Discover two very different characters in Amelia Chamelia and Lucia the Luchadora.
As an illustrator, it is my job to create the images that help enrich books for children. When I first receive the text for a story, my initial process involves reading it over and over again. I sit, lay, walk and drive with the text in my mind for a period of time to start putting together a visual narrative. This visual narrative is inspired by the text of course, but it also goes beyond that. It is a non verbal language that adds another layer to the story that the text doesn’t explicitly say. This perfect combination of text and additional visual narrative is the great achievement that any children’s illustrator strives for.
After
the initial stage, I start imagining the characters and the world they live in.
For the Lucia the Luchadora series, their family heritage was front and centre
for me as I began the process of their visual depiction. I set out to find
cultural references and colours to inspire their world. For the Amelia Chamelia
series, I tried to figure out how to make her stand out yet also be relatable
to other eight-year-old Australian girls. Before any pencils hit paper, a lot
of research and thought was involved. I feel as though I truly know the
characters before I start to draw them.
To
provide consistency to these characters across multiple pages and books is also a
unique challenge. While they need to look like the same person with the
same proportions, their body language and emotional range needs to be as
diverse as the readers themselves. Amelia
Chamelia faces a huge challenge of public speaking when she is assigned the role of narrator in the school play. Her best friend Willow also faces a
fear of heights during the school swimming test. Portraying these very real
emotions in visual form can help engage early readers along the journey.
Creating
consistency in style can be an interesting challenge too, especially when
illustrating a series. Lucia the Luchadora set the style for the sequel, but I
still tried to introduce new colours and characters into the culturally rich
world they live in. Amelia Chamelia is simple black and white interior
illustrations, so even though the artistic style doesn’t change throughout, the
characters and expressions are diverse.
Each
book is an exciting opportunity to explore style, consistency and nuance of
character for visual storytelling. An illustrator’s work is never over! Stay
tuned for more of my illustrated books coming soon including My Singing Nana!
Alyssa Bermudez
Children’s and commercial illustrator
W: http://www.alyssabermudezart.com/
FB: https://www.facebook.com/alyssabermudezart
T: @bermudezbahama
Children’s and commercial illustrator
W: http://www.alyssabermudezart.com/
FB: https://www.facebook.com/alyssabermudezart
T: @bermudezbahama
Thanks Alyssa thanks for sharing your creative process of illustration.There is a lot of aspects to consider and while every illustrator would have an individual approach it is interesting to read how your characters are developed. I suspect that being a successful published illustrator is not for the 'fainthearted'.
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