Welcome to the blog of the Tasmanian branch of the Children's Book Council of Australia!

Friday, 13 June 2025

Outstanding Books for Young People with Disabilities

One important element of The International Board on Books for Young People (IBBY) work is to support access to books that are relevant and accessible to children with different needs and abilities. Nella Pickup introduces 2025 IBBY Selection  of Outstanding Books for Young People with Disabilities and the two Australian titles selected for inclusion.

Every second year, IBBY Australia Inc. nominates ten titles for inclusion in the IBBY Collection located at the Toronto Public Library, Canada. A selection of Outstanding Books is then made, and this selection is summarised in a Catalogue. 

Tasmanian author, Avery McDougall’s Invisibly Grace (Forty South Publishing) and Jessica Watson & Aśka’s Stars in Their Eyes (Fremantle Press) were two of the forty books chosen for the 2025 catalogue from 200 submissions around the world. The Catalogue was announced at 2025 Bologna Children’s Book Fair on 31 March. Copies of the selected books were on display during the Fair. Inclusion in the Catalogue can lead to international sales/rights.

Australian nominations for inclusion in the 2027 list (books published between July 2023 and June 2025) will open in July.  The 3-person panel will be looking for books about characters with varied abilities and, also for accessible books, which provide opportunities for people of all abilities to read independently. 


Accessible books include formats such as Braille, Picture Communication Symbols, Sign language, Easy-to-Read language, tactile or textured illustrations, dyslexia-friendly font and other design features. Many of these formats are published by small publishing houses. If you know of suitable title/s, please contact IBBY.Australia@gmail.com for details on how to nominate for selection for the 2027 catalogue.   

To see the 2025 catalogue, visit https://www.ibby.org/archive-storage/08_Books_Disabled_Children_14771/Outstanding_2025.pdf

 

Nella Pickup

Reader and retired librarian

National Executive Member, International Board of Books for Young People/IBBY Australia Inc

Children's Book Council of Australia, Tasmanian Branch - Life Member

 

Tuesday, 10 June 2025

Legacy of a Wimpy Kid: Thoughts on Jeff Kinney's Diary of a Wimpy Kid, Eighteen Years On.

Join Lyndon Riggall has he reflects on the life and ongoing times of the Wimpy Kid to consider how and why Jeff Kinney's indelible characters have stood the test of time.


A couple of weeks ago, I had the privilege of witnessing a live stream of the Sydney Writers’ Festival children's event celebrating the launch of Jeff Kinney's latest book in the Diary of a Wimpy Kid series: Hot Mess. The nineteenth book in the series, (with a twentieth, Party Pooper, on the way before the end of the year), Hot Mess is a story about food and family vacation. To celebrate its launch, Kinney visited Australia to present “The Hot Mess Show”, a wonderfully dynamic session in which parents and children were brought on stage and asked to prepare food in team-based challenges, play games that tested their memory or problem solving skills, and even reveal disgusting secrets about their own eating habits. It was a hugely entertaining presentation, and Kinney stood delighted in the centre of it all, seeming for all purposes like someone who was just a simple observer to the chaos around him, but nevertheless revealing a sneaky twinkle in his eye that made it clear that he was also undoubtedly the mastermind behind this funfair of chaos.

As it passes its eighteenth birthday (fittingly, April 1st), the meteoric rise of the Diary of a Wimpy Kid series is worth paying attention to. Even before it had been published in Australia, I can remember our own king of cheeky children’s comedy, Andy Griffiths, telling me that he had read the book and loved it, predicting that it was one to keep an eye on. He wasn’t wrong. Alongside hundreds of millions of copies sold, the series has spawned an enormously popular live-action movie franchise, a complimentary animated movie franchise, video game spin-offs, and even a stage musical, while phrases like “Zoo-Wee Mama!” and “The Cheese Touch” have become part of the standard vocabulary of teenagers, even now.

 

Following Kinney's session, I decided to visit my local library and pick up a copy to remind myself of what I first read some eighteen years ago. Before diving back in, as I researched the series online, I was very aware of significant pushback from some readers in online communities, who felt that Greg Heffley's character was sarcastic, cruel, and too pessimistic about the world around him. Upon initial reading, there is some validity to their arguments. In the opening pages, as he explains why he has started his diary in the first place, Greg declares, "The only reason I agreed to do this at all is because I figure later on when I'm rich and famous, I'll have better things to do than answer people's stupid questions all day long. So this book is gonna come in handy." Still, beneath the savagery of his perspectives on the world around him, Greg's own admission and understanding of his role as the titular “wimpy kid” leads to something greater and more resonant. As I consider my own recent transition from senior secondary teaching to the middle school years, I can recognise in Greg's experiences so many of the moments, memories and intense feelings that characterise the experiences of my students as they settle into the early years of high school. Greg is by no means a perfect young man, and his outrageous adventures alongside his best friend Rowley, his brother Rodrick, and all of the other colourful characters that populate his world, probably shouldn't be taken as an instruction manual for how other young people should live their lives. Still, there is a realness to the series that has to be admired. There is a stylish honesty to the way that the stories are presented, complemented by the charming aesthetic of the illustrations (which Kinney took the time to explain and unpack in a fascinating way when he discussed his process in his Sydney Writers' Festival session). Most of all—even for this thirty-five year-old man, who found himself giggling late at night as he tucked himself in with the first novel earlier in the week—there is still something brilliant and timeless that can be found in the very simple and powerful humour of the series, which reminds all of us that our high school experiences are not unique, and that we are not alone in our teenage years when we suddenly find ourselves feeling like aliens on our own planet.

 

When I picked up my hold of Diary of a Wimpy Kid from the Longford Library on my way home from work earlier this week, as I passed it over to the librarian for processing, she smiled. 

 

“Oh, Diary of a Wimpy Kid!” she said. 

 

“Yes,” I answered. “It’s been a while, but I thought it might be time to go back and take another look.” 

 

“Oh, it’s for you!” she grinned, probably not used to checking out such a book to someone who can reach the whole way over the counter. 

 

As she scanned the book and printed my receipt, tucking it inside the cover, she passed it over to me with warmth and joy. 

 

“I will always be grateful to that man,” she said, gesturing to Kinney’s name on the cover. “He made my son a reader.”

 

Perhaps when it all comes down to it, that's what really matters most. Twenty books in, here’s hoping that we haven't quite reached the end just yet. 

 

My enormous congratulations and respect to Jeff Kinney, Greg Heffley, and all the other Wimpy Kids and Wimpy Kid fans out there. 

 

Long may they reign.

 

Lyndon Riggall is a writer and teacher from Launceston, Tasmania. He is the author of the picture books Becoming Ellie (illustrated by Graham Whittle) and Tamar the Thief (illustrated by Grace Roberts). Alongside Georgie Todman, he is co-president of the Tamar Valley Writers Festival. You can find him on social media @lyndonriggall and at his website http://www.lyndonrigall.com.

Saturday, 31 May 2025

Engaging Middle School Students with Reading

Looking for inspiration? It is a pleasure to welcome back Michelle Davies, librarian at The Hutchins School, with new ideas and strategies to engage middle school students in reading for pleasure. 


Middle school can be a tricky time. Students are growing, changing, and often navigating a whirlwind of emotions and interests. During all that, how do we get them excited about reading?  It’s not only possible it can be fun! Here’s how we work to engage middle schoolers in reading for pleasure.


Structured Wide Reading Sessions 

We have found success in engagement follows a clear, engaging routine to maximise student interest and reading exploration. Typically, our program is structured as follows:


An interactive activity that connects students with books and sparks curiosity. Such as “Mystery Book” 

This fun guessing activity gets students listening closely and thinking critically. Five book covers are displayed on a digital screen, all from the same genre, each numbered one through five. The librarian holds up a physical copy of one of the books but keeps the cover hidden. Then, they read a chapter or short excerpt aloud. As students listen, they try to match the chapter to one of the covers. When the reading ends, each student writes down the number of the book they think it came from. Once all guesses are in, the librarian reveals the correct book. Students who guessed correctly go into a draw to win a sticker for their laptop or water bottle.

It’s simple, engaging, and a great way to introduce new books while building listening and inferencing skills whilst wrapped in a little mystery and fun. 


Or a character exploration exercise such as “Whose Shoes are these?”

This begins with a read-aloud of a carefully chosen book excerpt, one that introduces a character both physically and emotionally. After a brief discussion, students talk about how the character looks, feels, and what the text reveals about them.

Next, in pairs, students are each given a picture of a different pair of shoes, glittery boots, hiking boots, colourful sneakers. From their shoes, they create a character: Who might wear them? Physical appearance How do they feel? Where are they going? Students then share their characters and imagined settings with the group. It’s a fun, creative way to connect physical detail to emotional depth and bring characters to life.


Next, New and recommended books are promoted to keep the reading options fresh and exciting. This could be a book talk, a promotion of new titles, focus on a particular genre, or student-led recommendations. The goal is to introduce books that align with students’ interests and encourage them to pick up something new.

After that, students move into silent independent reading time. This quiet reading period allows them to dive into their chosen books, practice fluency, and build reading stamina. Providing this dedicated time in the schedule shows students that reading is a valued and enjoyable activity.


Finally, students log their reading progress on Beanstack, a digital platform that uses gamification to boost engagement and reward effort with badges and challenges. Readers can check their progress on the challenges and strive for the next award, building a sense of momentum and motivation. We also run a leaderboard competition between classes, where the class with the most reading logs at the end of the term wins a pizza lunch. It’s great to see the excitement build as students track their class’s standing and encourage each other to keep reading. The platform also gives us valuable insights into reading habits, preferences, and progress.

Insights and Observations 

We have found that middle schoolers still love being read aloud to, especially when it’s an engaging story with a dramatic narrator. 


They enjoy stories that reflect their own experiences. Books that feature relatable characters, real-life issues, and strong emotional journeys enabling them to see themselves and the world more clearly.


Choice is powerful. When students are allowed to choose their own books, they’re far more likely to read. We create opportunities for student-led book selection and encourage them to explore different genres until they find what clicks. 


There’s nothing more rewarding than creating space for choice, connection, and celebration, and witnessing the impact as students walk through the door with books in hand.


Michelle Davies

Librarian  (Middle/Senior School)

The Hutchins School


Editor’s note: Take the time to search for 'teaching strategies' on the blog (top left search box) for a range of literature inspired ideas from Michelle and other contributors.

Friday, 23 May 2025

The Power of Science Storybooks: Nurturing Curiosity Through Storytelling

Join Bronwyn, from The Hobart Bookshop, for this week’s post on the power of storytelling to convey scientific information. There is such a wonderful range of narrative non-fiction available as this genre is flourishing with many recent publications.

The art of teaching through gentle storytelling has long been a cherished approach to introducing new ideas to young children. When it comes to complex subjects like science, storybooks offer an especially valuable tool. They provide an imaginative and accessible gateway into topics that might otherwise feel abstract or overwhelming. In recent years, science storybooks have flourished in both quality and quantity, offering a powerful way to nurture children’s natural curiosity about the world around them.


Science storybooks combine factual content with narrative storytelling to help children engage emotionally as well as intellectually. Rather than presenting information in a dry or didactic way, these books weave scientific ideas into captivating stories—inviting young readers to explore, wonder, and ask questions. By doing so, they help to lay the foundation for critical thinking, observation, and a lifelong love of learning.


At the heart of these books are authors who skilfully transform rigorous research and scientific detail into vivid, memorable tales. These storytellers act as interpreters between the world of science and the imaginations of children, distilling complex ideas into stories that are not only informative but also deeply engaging.

One of our favourite authors in this genre is Claire Saxby, a master of combining lyrical language with rich scientific detail. Passionate about fostering curiosity and wonder, Saxby’s books are a celebration of the natural world. Her titles—including Wedge-tailed Eagle, Tree, and Tasmanian Devil—bring Australian ecosystems to life with sensitivity and precision. Her newest title, Volcano illustrated by Jess Racklyeft and published by Allen & Unwin), reveals the surprising fact that more volcanoes erupt beneath the ocean’s surface than on land. It’s a brilliant example of how narrative can make lesser-known scientific facts both accessible and fascinating.


Another beautiful addition to the genre is Hatch (published by CSIRO) by Heidi Cooper Smith, a book that explores the hidden lives of egg-laying animals. With vibrant illustrations and a clear, inviting narrative, Hatch introduces children to the diversity of life and the intricacies of various animal habitats. Cooper Smith’s deep love for animals shines through every page, encouraging young readers to observe, appreciate, and protect the creatures they share the world with.


Lucky’s Star (published by CSIRO), the newest book by award-winning author Mark Greenwood, offers a wonderful blend of science and history. It tells the true story of the Murchison meteorite, which fell from the sky over Victoria in 1969, scattering fragments of space rock across the landscape. This story invites young minds to look up to the stars and wonder what mysteries the universe holds—while grounding the wonder in real, tangible evidence from right here on Earth.


We’re lucky in Tasmania to have our own rich pool of talented science storytellers. Authors such as Christina Booth, Anne Morgan, Fiona Levings, and Johanna Bell (who now calls Tasmania home) continue to explore the connections between our natural environment and the stories we tell about it. Bell’s most recent book, Searching for Treasure (illustrated by Emma Long and published by Allen & Unwin), is a gentle meditation on discovery and delight—celebrating the magic of beachcombing and the hidden treasures left by the tide. It's a perfect example of how everyday experiences can be a doorway to scientific exploration.

Tasmanian authors and illustrators excel in this genre.
These are recent additions from Christina Booth, Fiona Levings and Anne Morgan.

Science storybooks don’t just teach facts—they build a sense of wonder. They help children see that science is not confined to laboratories or textbooks but is all around them. By blending storytelling with scientific exploration, these books empower children to see themselves as part of a living, dynamic world—and to ask, always, what else there is to discover.

 

Bronwyn Chalke 

The Hobart Bookshop 

W: https://www.hobartbookshop.com.au/

FB: https://www.facebook.com/HobartBookshop/ 

X: https://twitter.com/HobartBookshop 




Friday, 9 May 2025

Meet the Gorgeous Giselle

Tasmanian illustrator and artist, Ben Clifford, shares the delights of his latest ventures - from illustrating the lavish and adorable Giselle to his foray into working with children to share his talents and love of a good story.


Richard Turner's Giselle Giraffe, published by Starfish Bay Publishing, tells the story of the long-necked, long-legged and somewhat gangly Giselle. At first full of insecurities about her body image she not only becomes accepting of her size but also learns to recognise its valuable and unique benefits. 

This imaginative story was a delight to illustrate for my fifth picture book. I was given the manuscript with no guidance, allowing freedom to dance with ideas. The illustrations took me over 2 years to complete with my upmost thanks to all staff at Starfish Bay Publishing and author Richard Turner for giving me the time needed. As I progressed with the art work, I came up with treasure hunts and activities to include so there are things to find within the illustrations and a guiding list to help readers investigate the images more closely. I love layers within a story! In creating the setting I gave it a timeless look choosing technology and architecture from no later than early 20th century.

The story finds Giselle entering a chic boutique clothing shop, hoping to cover up her insecurities of body image. 

Failing, she returns to the wilds where she finds her answers elsewhere; shining proudly for what she is by using her unique body parts to help others. 

It has been great fun to start sharing my work with young people. To kick off my school appearances I worked with young families at Sorell Library recently. Giselle Giraffe became the finale of the presentation. Displayed on  a big screen, our overbooked group read through the story with one of many treasure hunts included on each page. It was a delight witnessing families bond over the work, and objecting to turning the page until the treasure hunt item was found! 


We also read through The Wildlife Winter Games - a book that demands that the reader chooses from various creatures to decide who would win when competing in the different Winter Games events. The day included large displays of the illustrations and takeaways I had created. Many thanks to Libraries Tasmania staff for one of the best experiences of my life, and the food! You can view photos of the day.


 

Ben Clifford

Ben was born, raised and works in Tasmania. He began illustrating after living in a nice place with  cuckoos and sparrows in England. Ben was first published in 2017 for Elliott's Rainbow Heart with more titles to follow. When he’s not drawing or writing stories, he likes to help others if they’re sad or happy, scaly, fluffy, furry or feathery.

 

W: www.benclifford.com.au

FB: https://www.facebook.com/ben.clifford.art/ 

I: https://www.instagram.com/bencliffordart/