Welcome to the blog of the Tasmanian branch of the Children's Book Council of Australia!

Friday, 15 December 2017

Christmas magic through digital storytelling



This week your editor presents a compilation of Christmas related videos, a mix of stories, retellings and reimaginings along with some Christmas messages produced by commercial enterprises - it is nice to see them giving back to their customers with good will and festive cheer. The list concludes with an amazing 1956 animation of the Christmas story. Enjoy the selection - there is enough to see you and your family through to Christmas.  


Coming Home - Michael Morpurgo 
reciting his story with a mix of shots from the book and the author. Following, is Waitrose's interpretation of the tale as a short film.

Home for Christmas (Waitrose, 2016).


Yet Another Partridge in a Pear Tree (Brian Muzik)
(a witty parody)


*********************
Neil Gaiman reads "A Christmas Carol" (New York Public Library podcast)

(note lengthy introduction - retelling starts at 11:50 mins)
*****************

Moz the Monster (John Lewis, 2017)

Buster the Boxer (John Lewis, 2016)

Paddington & the Christmas Visitor (Marks & Specer, 2017)


A Christmas with Love from Mrs Claus (Marks & Spencer, 2016)


The Greatest Gift (Sainsbury 2016)


The Bear and the Hare (John Lewis, 2013)

Monty the Penguin (John Lewis, 2014)



Mog's Christmas Calamity - Judith Kerr (Sainsbury, 2017)


The Land of Make Believe - A Little Christmas Tail (Harrods, 2015)





The Wish Writer (Macy's, 2015)


Gingerbread reindeer (Lowe's 2016)

Coming Home for Christmas (Heathrow, 2016)

Saving Santa's Star (Myer, 2016)

Elf's Journey (Myer, 2017)


Christopher the Christmas Tree (1993; 25  mins)




The Berenstain Bears' Christmas Tree (1979, 25 mins)


The Star of Bethlehem
Cathedral Films re-release this 1956 film by silhouette animator Lotte Reniger.



Merry Christmas!! Enjoy the viewing and the time spent sharing these visual stories and heart warming Christmas messages.


Jennie Bales
CBCA Tas Social Media Editor, reader, lecturer and book seller.
Note to viewers: Share your favourite from the list or share a new link with readers). 

Friday, 8 December 2017

Still Doing the Writing?

This week Sally Odgers is our guest author. She lives in Tasmania and her books have been an integral part of the lives of many children and a host of Tasmanian libraries over four decades. Sally shares her passions, quirky humour and long-time passion with all things bookish – as an author, manuscript assessor, editor and online sharer through multiple sites.

Writing and editing is an interesting—if peculiar—way to make a living. I favour series where characters grow and progress, and where a sidekick in one can be a main character in another, and where the tiniest two-line thread offers a whole new book to explore. I make lists, glossaries and labyrinthine websites. I even highjacked Ancestry Dot Com to make a (private) family tree of series characters. I was amused when Ancestry started waving Greenleaf hints at me, telling me three of my invented characters (many of whom are fairies, if you please!) were born in the USA on such-and-such a date.
My first story was published in 1970. I lost count after the fiftieth title in 1991. In early 2017, I started a book-a-day blog. I wanted my books listed so people could seek out series and related titles. I wanted to reassure myself I hadn’t wasted the past forty-seven years. I wanted a body of writing to render into a book about my books. It’s not a commercial enterprise, but hey, I’ll publish it myself! Finally, I want to know just how many books there are. Let’s just say I’ll run out of year before I run out of titles.
What is a children’s book? By my definition, it’s a book written for children. If it was a film, it would rate a PG or M at the most. It is usually about people under eighteen. Otherwise, it’s a book. It needs story, style, character, theme and something else…an indefinable sparkle.
One of Sally's ebook offerings.
What about the children’s author? To last in this job for as many years as I have, you need talent, persistence, a creative mind and the willingness and ability to keep on writing in the face of change and knockbacks. Every five years or so, the industry reinvents itself. We adapt, or, creatively, we perish. Finding and keeping markets is increasingly difficult. That’s one reason I can never let go of the concept of writing for myself.
As we near 2018, there’s still time for at least one more person to meet me somewhere and say, “Hi, Sally, still doing the writing?”
How do I respond? Not with, “Hi, X, still doing the breathing?”
I could say, “Yes. I had fourteen books out this year.”
And they might say. “Oh,” in a puzzled tone. Because they haven’t read about me or my books in the paper, or seen me interviewed on telly…

So I’ll probably just smile, and direct them to my blog.

More about Sally

Sally Odgers was born in Tasmania in the 1950s, went to school there in the 1960s, married there in the 1970s, and had children there in the 1980s. She could go on, but she expects you get the picture. She started writing as a child, and has continued along the story-track ever since. She writes many genres, including fantasy, science fiction, romance, animal stories, how-to, verse and historical novels, and offers talks and workshops.
For the past twenty or so years, she’s run a manuscript assessment and editing service through the website Affordable Manuscripts.   
She also runs the tiny publishing collective Prints Charming Books. This specialises in not-for-profit novel anthologies.
Take the time to explore Sally’s
book-a-day blog and her writing websites
Books by Sally Odgers
Jack Russell: Dog Detective and Co
Her alter ego, Lark Westerly, has a site,  but Lark’s books are not for children.

Editor’s note for aspiring writers.
Check out Prints Charming Books. The current anthology of Warriors is under development and open for ideas until 30 January 2018. 

Friday, 1 December 2017

Water – an artistic challenge

Lois Bury resides on Bruny Island, surrounded by water and stunning vistas. Lois is an artist, painting birds and other wildlife for Art at the Point, a local gallery, along with illustrative commissions, particularly in picture books. Join Lois as she explores some of the artistic challenges she grappled with in her latest endeavour.
Quentin the Quoll on Bruny Island is about to go to the printers, and is the second in a series of picture books written and published by Kate Morton in Tasmania.  The first, Little Spot, was published to draw attention to the endangered 40-Spotted Pardalote and the efforts of the Australian National University programs to increase the population. The problems that Little Spot faced are similar everywhere – loss of habitat, predators and disease. The series tells of the characters that are the birds and animals that live on Bruny Island.  

In this book, Quentin is having a water adventure and the first step was to get the storyboard and dummy book together and develop the Quentin character.

Then I had to start thinking of painting the precious, flowing water. I did refer to Jackie French and Bruce Whatley’s book, Flood, and Bruce’s wonderfully fluid paintings. I use the drip technique in some of my big bird paintings but didn’t feel it appropriate to introduce them again.  A watery palette was easy to decide on and I had already used the Daniel Smith watercolour paints on some smaller projects.  They are American and are mineral based so there was something very elemental about them.  The key to portraying the muddy waters was introducing ‘Bronzite Genuine’ to the ‘Ultramarine Blue’ and ‘Ultramarine Turquoise’ as different layers with some white pencil to indicate the swirling, gurgling water.  Indigo, one of my favourite colours, brought some depth and darkness, especially to the evening scene.  When I was painting and the medium was still wet I wanted to stop it there, it felt quite sad to see it dry.  Practicalities meant that I had no choice.



Lois Bury
Artist and illustrator
Website: http://www.loisburyart.com.au/

Friday, 24 November 2017

Jumping Back On to The Write Road

This week Johanna Baker-Dowdell focuses on a creative writing endeavour with primary students undertaken with with the expertise of Tasmanian author, Lian Tanner. It is wonderful that this program has been extended for a further year - if you missed the first post, follow the link provided for some background insights.

For those who have been long-term readers of this blog, you may remember I was a creative writing mentor for a group of grade 5 and 6 students who participated in The Write Road in 2016.

This year the format was slightly different to last in that instead of 10 weekly prompts the groups had five fortnightly prompts, which gave them an extra week to plan, write and edit their pieces. They will soon be seeing the fruits of their labour when their favourite two pieces are published in an anthology.

It was great to see some of the grade 5 students from last year’s cohort joining again this time, as well as some excited new faces (including my 11-year-old son). One of the treats for this year’s Write Road groups was a creative writing session with The Keepers trilogy and the Hidden series author Lian Tanner, who gave these aspiring writers an invaluable insight into her planning process when first presented with an idea, or prompt.

Using the picture of a person on a bike and the question: “What does it mean to escape?” Ms Tanner showed how she would start a story.

To get the eager minds started on the creative road, Ms Tanner handed each a sheet of A2 paper and a handful of coloured markers telling them to write down the first thing that came to mind when thinking of the question above. She explained: “It might be a sentence, it might be a word, it might be a phrase. What’s the first thing that strikes you when it comes to that prompt?”

They had permission to make grammatical and spelling mistakes, and even to write nonsensical things, because order “gets in the way of imagination”. “This is fun. It’s our way of playing,” Ms Tanner said.

Doodling ideas
After an initial flurry of scribbling she asked the students if they came up with anything unexpected or surprising. “I’m encouraging them to explore and do the things I do when I write,” she said.

And explore they did. More than 20 students in that room saw the same prompt and each created a story around it that was completely different. Some were running from something that scared them, others were escaping to a peaceful oasis and others still described the feeling of riding their bike freely, with the wind in their hair and the wind rushing past their ears.

It’s a fascinating process to watch – and do – and it set these eager creative writers on a path that I hope will have them writing their own prose and poetry for years to come.

I know I certainly approach brainstorming in a much less ordered way as a result of Lian’s masterclass.

Johanna is a journalist, author of the book Business & Baby on Board and a PhD candidate.

Johanna Baker-Dowdell
Twitter: JohannaBD

Saturday, 18 November 2017

On my processing trolley…

The end of the school hear heralds the closure of budgets - Tania shares some last minute picture book gems she has picked up from her local bookshop.

At this time of the year when school libraries are frantically trying to make sure they spend all their budgets, I thought I might share some of my recent acquisitions from the local bookshops with you.

Why dogs circle to Lie Down by Greg Ray, illustrated by Jenny Miller
Written by Tasmanian author Greg Ray, illustrated by Jenny Miller, this is one of a series of ‘Why dogs do various things’. Its rhyming text explains various suggested reasons for this behaviour, depending on the dog breed and its own personal requirements. As we have a well-established Story Dogs program, this book will really resonate with the children.

Kimonos by Annelore Parot
This is a delightful book, full of surprises and interactions! Annelore Parot has crafted a sensory exploration of Japanese culture in a fun and imaginative way. With fold out pages, cut out peek-a-boos, and incremented sections this is an adventure into the wonderfully precise nature of Japanese culture. Sure to become a favourite, I predict this one will be extremely well loved. If there’s a little girl in your life and you’re looking for a Christmas present, you couldn’t go far wrong with this one.

The Princess in Black and the Mysterious Playdate by Shannon and Dean Hale, illustrated by LeUyen Pham.
A beautifully presented easy read story featuring a strong female character! This book is a delightful read with engaging pictures and a strong female lead character.  Its easy reading level will ensure it appeals to reluctant readers and the short chapters will give a sense of achievement. With the popularity of superheros at the moment, this is a fun and quirky way for girls to delve into the saving the world genre!


Quick Quack Quentin by Kes Gray, illustrated by Jim Field.
Another fantastic book from Kes Gray, author of Oi Frog!, which is easily one of our most used picture books by teaching staff to support phonic awareness and the teaching of the “og” sound. In his new adventure, Gray brings us a duck who’s lost the “a” from his quack and his subsequent journey to fix the problem and his discovery that not all vowels are created equal. A very funny read; but I suspect a challenge to read aloud; but well worth the effort as children will be delighted with the results, if for no other reason than to hear the readers struggling with the vowelless words!

This is another title guaranteed to become a favourite with teaching staff to support literacy.

Friendship is Like a Seesaw by Shona Innes, illustrated by Irisz Ag΄ocs
One of the Big Hug series of books with gentle illustrations and an accessible message. I really like the use of words like bossy and sooky which are terms kids can relate to. Books dealing with emotions seems o be topical at the moment and this one is an example that is done well. The story is simple, engaging but easily accessible, and the underlying idea is immediately understandable and digestible. It notes beaut strategies for dealing with the problems that occur in friendships, with all suggestions school friendly.

No matter what your choices are for using up that end of year budget, might I suggest it’s a great idea to peruse the shelves of your local bookshop? It’s great for your library shelves, good business for them and soothing for your soul!

Tania Cooper
Library Technician, Ulverstone Primary School


Saturday, 11 November 2017

Jeannie Baker - Circle Exhibition

Jennie Bales responds to a visit to the exhibition of Jeannie Baker's magnificent Circle currently on show at the Tasmanian Museum and Art Gallery in Hobart.


Have you read Circle?

"Tiny godwit birds follow ancient, invisible pathways in an infinity of sky. Flying on and on, for nine nights and nine days, flying without rest. From Arctic icebergs in the north, to tropical golden beaches in the south, across thousands of kilometres of Pacific Ocean. ‘Circle’ captures the sheer wonder of this migratory journey, reminding us of the global interdependence of nature.                                                                                               The Godwit’s remarkable flight is followed as it comes full circle     … back to the place where mud and sand become sea." (Jeannie Baker, 2016)

Jeannie Baker continues to explore our natural world with a strong environmental theme in her latest contribution to children's literature. Her use of collage is masterful and compliments and enhances the story or endurance and survival when faced with dwindling habitats.
Read a review.

Jeannie Baker shares her creative inspiration in developing Circle.

The book is a wonderful visual treat - but seeing the original art work is a truly amazing experience. An exhibition has been travelling around Australia and is currently on site at the Tasmanian Museum and Art Gallery until the 3rd December. If you reside in the city, or are visiting, take the time to walk through the gallery, learn about godwits, view the art work, read Jeannie's notes on developing the text and illustrations, and sit quietly to read the story and compare the original art works with those published between the covers. Three dimensional, textured, illuminated... you will want to touch them! (but don't ;-)


Walker Books provides supporting resources on their website, including informative teachers' notes with further information about Jeannie Baker, godwits and the themes of the book. The reference list provides a number of resources - print and online - to support the various themes explored in the story.                                                                                                                                                           
If you are looking for an alternative ad complimentary story on the birds' migratory journey you might enjoy the The Godwits by Bruce Pickworth (review) with a lengthier, illustrated text that encompasses both human and bird perspectives.

Don't forget - you have until the 3rd December to visit the exhibition in Hobart before it wings its way to Queensland.
Jennie Bales
Blog editor, adjunct lecturer, and lover of children's literature.

Saturday, 4 November 2017

Imagine if ...

Join Belle Alderman, Director of the National Centre for Australian Children’s Literature as she highlights a two-month exhibition and event celebrating Australian illustrators of children’s literature. A unique bringing together of outstanding art works from two prestigious collections.

We lived and breathed our motto for this year: Imagine if …. We celebrated our partnership with The CBCA with an exhibition featuring some of the stunning 150 artworks from the Children’s Book Week Artwork Collection. We envisioned these as complementary to the NCACL’s large collection of artworks. How to choose from such riches? What themes might provide connections and insights?

We chose three themes: Enter, Journey and Imagine to inspire imaginations and so explore the art of Australia’s talented picture book creators including Kerry Argent, Graeme Base, Freya Blackwood, Ron Brooks, Neil Curtis, Kylie Dunstan, Vienne Goodman, Peter Gouldthorpe, Bob Graham, Brian Harrison-Lever, Elizabeth Honey, Patricia Mullins, Narelle Oliver, Matt Ottley, Gregory Rogers, Anne Spudvilas, Shaun Tan, Jane Tanner & Steven Woolman. We framed the artworks and then explored the creative process by exhibiting dummies, storyboards and preliminary material as well.


The ever-inspiring Bob Graham played an essential role in Imagine if… by creating an original artwork for Imagine if … . Most importantly, he allowed us to raffle this artwork. We cheered as our nation-wide raffle raised sufficient funds to purchase 20 museum quality reusable frames for future exhibitions.





Imagine if … inspired us! Here are the highlights. The Imagine if … Exhibition featured 40 framed original artworks from 19 illustrators including 24 artworks from the National Centre for Australian Children’s Literature (NCACL) and 16 from The Children’s Book Council of Australia (CBCA) Children’s Book Week artwork collection. Imagine if … ran for two months from 10 July – 30 August. We opened for 152 hours over 38 days. We also featured professional development programs attended by 50 adults and exhibition activity programs for six schools and a home school group attended by 501 young people aged three and 18 years. Altogether 874 people attended Imagine if …  We conducted a formal evaluation of programs which received very positive comments & valuable feedback for future events.

Margaret Hamilton & Max Brown at
the opening, with the 'book corner'
also in use.
At our opening event Margot Hillel OAM, Chair of The CBCA Board, gave a stimulating address as did Bob Graham, who in his inimitable way, said it all:


Nour, the Cultural Heritage
Student Project Leader
with one of the panels she
designed and painted.
Bob Graham
‘I would like to use that same imagination and come down from the clouds to the north of my window to think that some day and hopefully not too much into the future that the National Centre for Children’s Literature might have an enhanced space of its own, a building and facilities that will accommodate its wonderful and nationally important collection where it can give access to all people: to the work, the stories past, the stories here and now and the stories to come that will nourish the imagination of children of all ages way into the future!’

SAMPLE VISITORS’ COMMENTS
‘A thoroughly delicious insight into national treasures … may a permanent museum of such be a reality soon!! Professor Erica Hateley, Norwegian University of Science and Technology, Norway

‘Imagine if I had missed this divine and beautifully presented journey into the world of children’s illustrators. Thank you for showcasing the immense talent of these amazing individuals.’ Professor Peter Bodycott, Faculty of Education, Science, Technology & Maths, University of Canberra

Teacher’s observation of children at Imagine if … on what engaged children most — ‘unpacking of the art in the books eg watercolour and tissue paper and noticing the features of that material and how the illustrators use it to create.’

 ‘This was an absolutely amazing session. To think that our most influential children’s authors and illustrators in Australia have their works in one place is brilliant. Teacher, Professional Development Course’




Belle Alderman
Director, National Centre for Australian Children’s Literature

Saturday, 28 October 2017

Nella Pickup awarded Life Membership




Members attending the 2017 CBCA Tasmania Annual General Meeting acknowledged and celebrated the untiring dedication of Nella Pickup to the organisation.




Nella Pickup has given unstinting service to The Children’s Book Council of Australia, Tasmanian Branch (Inc) for more than ten years. Nella was elected Secretary in 2007 and served in that capacity for nine years. As the branch membership was relatively small and the Executive minute, Nella nobly took on a multitude of other roles, including Minutes Secretary, Archives Officer, overseeing the CBCA (Tas) Blog roster and its production, contributing to the Blog and newsletter, and supporting Richard as President. The number of trips they made up and down the Midlands Highway does not bear contemplation!
Nella’s organisational skills are impressive and she brought diligence and tenacity to convening events that kept the branch visible and promoted literature for children and young people. In 2011 with Carol Fuller and Penny Goldsworthy she wrote and published the booklet Books to keep kids reading, and then later was instrumental in the development of a series of five reading guides for parents, built around that booklet. In the process, Nella cultivated the arcane art of writing grant applications! She was an active contributor to the planning and enacting of events in the Year of Celebrating Nan Chauncy in 2015 and the significant Hidden Stories events in 2016.
Most recently, Nella willingly took on responsibility for the production of the excellent Book of The Year Awards ceremony at Government House, Tasmania. Nella liaised between CBCA and the personnel there. She ensured that the program ran smoothly with just the right amount of formality, but also with friendliness and due respect for the children and young people that Children’s Book Week is all about.
Nella is a dedicated bibliophile. She knows an enormous amount about literature for children and young people and keeps her knowledge current by reading books and reviews and investing her personal time and money to attend national and international conferences focused on the field. As Dr Robin Morrow notes, Nella ‘has been, and continues to be, an active and contributing member of IBBY Australia, particularly as a member of selection panels for awards, where her wide-ranging and deep knowledge is keenly appreciated’.
As a librarian, Nella eagerly held public events to promote literature and literacy, authors and the fun of reading. As Clive Tilsley comments, Nella ‘retrained later to take on new skills as a retailer, selling books in that role, with the same passion and commitment to quality and matching the book to the prospective reader’. Nella’s particular expertise in non-fiction material was recognised by her selection as a National Judge for the Eve Pownall Award in 2003-2004.

CBCA, as a volunteer organisation, absolutely relies on the efforts, enormous hard work and goodwill of community-minded individuals such as Nella. Together with other eminent contributors, including Dr Robin Morrow (AM) and Clive Tilsley, Patsy Jones and Jenni Connor enthusiastically propose Nella Pickup for Life Membership of CBCA (Tas).

Jenni Connor & Patsy Jones

Saturday, 21 October 2017

Literature Circles

Pennii introduces a literary technique to encourage students to read and respond to a diverse range of books through group engagements and roles that encourage discussion from multiple perspectives.

At Reece High School we have been exploring Literature Circles in Grade 7 and 8. Students are placed into groups according to Literacy data gained through NAPLAN, PAT testing and individual reading/comprehension assessments completed throughout the year. The literature used is usually in the form of a novel that has been levelled and is completed over a 6 week period.

So what are Literature Circles?
Literature Circles are small groups of students gathered together to discuss a piece of literature in depth. The discussion is guided by students' response to what they have read. They may talk about events and characters in the book, the way the author has written the book, or personal experiences related to the story. Literature Circles provide a way for students to engage in critical thinking and reflection as they read, discuss, and respond to books. Collaboration is at the heart of this approach. Students reshape and add onto their understanding as they construct meaning with other readers. Finally, literature circles guide students to deeper understanding of what they read through structured discussion and extended written and artistic response.

So why use Literature Circles?
· Literature circles can be a place for cooperative learning. Students help each other understand a text and make sense of it. Literature Circles teach kids how to use each other as resources and become independent learners. Guidance, modelling and support, should still be provided by the teacher.
· Literature circles allow students to make choices about their learning. All children desperately need more opportunities to make choices in school. Choice leads to deeper engagement, increased intrinsic motivation, and an opportunity for guided-decision making.
· Literature circles are fun, in part because they are social experiences. Students are expected to talk a lot, to debate and argue their ideas. Students are invited to bring their experiences and feelings into the classroom and to share them.
· Finally, because they are student led and the students have choice of roles, and they are a cooperative learning structure, literature circles are powerful experiences for reluctant and/or struggling readers. Literature circles have to be differentiated; by nature each group will read books at different levels on different topics or similar themes. Struggling readers can select a text at their level; the teacher can provide direct support to that group or can include a couple of higher-readers.

Literature Circle roles chosen by students within the group are:
Students can elect for a role within the group. Teachers may appoint a role. Although the teacher is there to support the group the Literature Circle is student led.
· Questioner: The questioner thinks of relevant questions while reading a fictional or factual text: How does this happen? Why did this character act in this way?
· Connector: The connector makes text-to-self connections (How does this relate to my feelings, my experiences?), text-to-text connections (Have I read something like this in another book? Is this book similar to another by the same author?), and text-to-world connections (How is this similar to what has been happening in the news?).
· Vocabulary Enricher (Word Wizard): The vocabulary enricher selects and explains new or interesting words that add interest to the text.
· Illustrator (Artful Artist): The illustrator shares visual interpretations of the story with other members of the group
· Discussion Director: The discussion director selects an interesting main idea or event for the group to discuss. The discussion director reminds the group to keep on track and encourages others to participate.
· Summariser: The summariser prepares a summary of the main points of the day’s reading.
· Researcher: The researcher locates information related to the book, such as cultural references or the history of the book’s setting.
· Literary Luminary: The literary luminary finds important sections or quotations in the book that can be shared with others.
· Scene-setter: The scene-setter tracks where actions happen and when/if the scene changes.

We have used the Literature Circle Role sheets to help students facilitate their roles:

Books we use for Literature Circles – Grade 7:
Theme: Friendship
· Middle School – Just My Rotten Luck - James Patterson
· Lockie Leonard: Human Torpedo – Tim Winton
· There’s a Boy in the Girls’ Bathroom – Lois Sachar
· Percy Jackson and the Lightning Thief – Rick Riordan
· Pookie Aleera is Not My Boyfriend – Steven Herrick
· Don’t Call Me Ishmael – Michael Gerard Bauer
· Scenes from an Epic Life of a Total Genius – Stacey Matson
· Wonder – Stephen Chbosky
· Digger Jones – Richard Frankland
Theme: Author - Roald Dahl
· Fantastic Mr Fox
· Charlie and the Chocolate Factory
· Boy: Tales of Childhood
· Going Solo
· Esio Trot
· The Witches


Books we use for Literature Circles – Grade 8:
Theme: Dystopian Fiction
· Matched – Ally Condie
· The Declaration – Gemma Malley
· Hunger Games – Suzanne Collins
· Divergent – Veronica Roth
· V for Vendetta (graphic novel) –
· The Giver – Lois Lowry
· Maze Runner – James Dasher
· Uglies – Scott Westerfeld
· Never Let Me Go – Kazuo Ishiguro
· The 5th Wave – Rick Yancey

Some of the groups may have only 3 students but can have up to a maximum of 15. So we have up to 16 copies of each title and are currently looking at another theme for our Grade 8s. In 2018, we will look at introducing Literature Circles for Grade 9 as well. One of the Grade 9s themes will stem from their History or Social Sciences Curriculum units.

Have any other schools been involved in Literature Circles? If so, what titles and /or themes are you using? I would be really interested to know. Please feel free to email me at pennii.purton@education.tas.gov.au

Pennii Purton
Library Technician, Reece High School

Editor’s note: There are numerous print and web resources to help you get started with Literature Circles. 

· Harvey Daniels Literature Circles: Voice and Choice in Book Clubs and Reading Groups
· Inside a Dog: Literature Circles
· Literature Circles Resource Center
· ReadWriteThink: Literature Circles