Welcome to the blog of the Tasmanian branch of the Children's Book Council of Australia!

Saturday, 24 January 2015

The complete work

When sharing and responding to children’s literature we are usually referring to a finished product, in most cases a book, however the process that lead to the physical item should also be examined to determine quality and excellence - how it evolved from an initial idea to being captured by an author’s and/or illustrator’s imagination and finally designed and published as a complete work.  

There are several books aimed at young readers that explore this creative process as well as encourage and provide inspiration to budding authors.
For very young readers Parsley Rabbit’s book about books by Frances Watts and David Legge, is a wonderful introduction to the world of books and its components. 


More detailed information on how books are created and the people involved in the process is presented in Eileen Christelow’s book What do authors and illustrators do?




If you are looking for writing inspiration try the practical activity book Once upon a slime: 45 fun ways to get writing fast! by the popular duo Andy Griffiths and Terry Denton;  or explore Scholastics’ online Story starters  to generate fun, crazy themes and start writing and publishing on the templates provided.

Tricia Scott





Sunday, 18 January 2015

Living in a fantasy

I hope all our readers had a lovely festive season and that Santa was good to each and every one of you!

One of my gifts was a jigsaw puzzle. Its from a painting by the marvellous Thomas Kinkadecalled The Wizard of Oz. It’s a fabulous rendition of the four characters making their way down the yellow brick road, and the colours are absolutely vibrant. I am so looking forward to getting started.



It was in the year 1900 (yes, that's 115 years ago) when L Frank Baum published The wonderful wizard of Oz. But he certainly wasn't the first to delve into the world of fantasy fiction. The genre dates back to antiquity with Homer's Odyssey written in the 9th Century BC and Beowulf circa 700 AD.


Children's fantasy really came to life following the publication of the Brothers Grimm's fairy tales in 1812-15. Then there was Alice's adventures in Wonderland (1865), The Hobbit (1937) and The chronicles of Narnia (1950-56), just to name a few.

These days there are a plethora of authors writing in the fantasy genre. There are fantasy movies, fantasy TV shows, fantasy games and even fantasy conventions. Foxtel even has a whole channel devoted to the fantasy genre.

So why do we love fantasy so much? Well, for starters, its fun; there is usually a moral to the story; the characters are very different to those we meet in real life - and it can captivate our minds so that we escape from reality, just for a while.


A bit like Santa really...

Penny Garnsworthy




Editor’s note: Do you have a favourite children's fantasy to add to Penny's suggestions?
The following two useful sites explore the long and fascinating history of children’s fantasy literature. For a brief overview look at Children’s literature classics: The fantasy genre and a more in depth exploration at TheBritish Library: Fantasy and fairytales in children’s literature.


Monday, 12 January 2015

Interactive storybooks

Do you own a smartphone or a tablet device – either iPad or Android? If so I hope you have started to explore the reading opportunities for both yourself and your children, and especially as an alternative means to read and explore stories with the family.

As an adult, it quite possible that you have started buying, borrowing or downloading free e-books, either on your tablet, an e-reader, on a computer or smartphone, or alternatively listening to audio recordings on your device. Are you children getting the same opportunities? Interactive e-book publishing for children’s books offers an exciting, evolving and engaging format available through app purchases and downloads. A good starting point get a feel for the younger market is iStoryTime.

As a brief introduction to this alternative way to share stories with your children and for them to develop independent reading habits and opportunities to investigate the story beyond the text, these are some of my favourites. A good place to start is with renowned Australian children’s author and illustrator Graeme BaseFor a fraction of the cost of a print copy, both Animalia and The waterhole can be purchased and will provide hours of fun, starting with Graeme telling the story and then supported with a range of puzzles and activities to explore deeper layers of the words and illustrations.










Nick Bland is another icon on Australian picture book scene. Find out about Nick’s latest publishing venture Wheelbarrow where several of his own books have been developed into apps. Along with his bear books: Cranky bearHungry bear and Itchy bear, one of my all time favourites is the The wrong book which is an absolute delight to share with a child as the story is told through the app and with the device as physical movement adds another dimension to the exploits on the screen. I think this book was immortalised for me, and an auditorium full of students, during its rendition on the big screen as the chosen text for National Simultaneous Storytime in 2013. You can view it in action on YouTube  if you are not convinced :-). Wheelbarrow are branching out in the digitisation of books, so look out for Shaun Tan’s The rules of summer as another interactive book worth investigating. And remember, that a good storybook app has so much more than the story!





Interactive story apps are an expanding market and one well worth exploring. This is just a brief introduction and I trust that it will send you off to start exploring further.

Jennie Bales




Sunday, 4 January 2015

Australia’s past

Happy New Year to all our readers. I hope you had some wonderful books among your Christmas goodies.

As Australia Day is at the end of the month, I thought I’d look at some of the wonderful historical publications which we have, celebrating our history. I have chosen to focus on early settlement, on books I like, and have not checked whether they are currently in print, but if not many will be accessible through your local library.

The true story of JohnNicol, illustrated by Julian Bruere.
John Nicol’s sea adventures began in 1769 when he was aged 14 and included a trip to Australia on the Lady Julian (or Juliana), one of the Second Fleet convict ships, arriving in Sydney in 1890. This book includes some of Nicol’s own prose, taken from his very readable Life and Times … first published in 1822.

The mostly true storyof Matthew and Trim by Cassandra Golds and Stephen Axelson.
Trim was Matthew Flinders’ loved cat who accompanied him on some of his voyages. This is the remembered story of their adventures together as well as Trim’s adventures after Flinders was imprisoned by the French.

A penny to remember by Kirsty Murray
Young George is transported to Van Diemen’s Land while his sister stays in London working for the Dimples. Eventually this family decides to emigrate to Tasmania and George and Hannah are re-united.

Nanberry: Black brother white by Jackie French
This is a novel of the first years of settlement of Sydney when the influx of new settlers, free and convict, bring with them diseases hitherto unknown to the Aborigines. The reader learns of the devastation they cause. It is the story of Nanberry adopted by Australia’s first surgeon, John White, and living with his white brother. Based on true stories.


The goat who sailed the world by Jackie French
Among the animals and humans on board James Cook’s ship, Endeavour, was a well-travelled goat and her young carer, Isaac Manley, who went on to bigger and better things. The goat gave the crew milk for the whole of their three year voyage but had already sailed around the world before she set off with cook.

Surviving Sydney Cove by Alexander Goldie
A diarised fictional account of one young girl’s life in Sydney during two months in 1790, a time when the colony was struggling to feed itself.

The First Fleet: A new beginning in an old land by John Nicholson
Full of fascinating facts and detailed drawings, as Nicholson’s books always are, The First Fleet is a great introduction for young readers. Do you know how many tools were taken, or how much food was allowed per person? Or how many children were on the various ships of the fleet? (There were 32). This book answers those questions.

Playing Beatie Bow by Ruth Park
This historical paranormal story focuses on Abigail who suddenly finds herself in the Sydney Rocks area of the 1870s, having to cope with all the changes from her life of 100 years later. An Australian classic.

Meet Grace, Our Australian Girl series by Sophie Laguna
The four books in this series tell the story of Grace after she is sent to Australia as a convict. [Editor's note: Find out about other authors and titles in the Our Australian girl series]

Fair dinkum histories by Jackie French
This is a series of six titles each looking at a different period in Australia’s past. They are full of facts and cartoon-style illustrations. A great jumping off point for further explorations.

And I have just scratched the surface. We could go on to later decades in Australia’s settlement: the bushrangers, the years of exploring the continent, Federation and Australia’s involvement in war. But, for this time, though, a focus on early settlement.

What Australian historical fiction do you enjoy?

Maureen Mann











Monday, 22 December 2014

In praise of poetry

How often do you share poetry with a child?

As I was changing the sheets on my bed a week or so ago, I was rather taken aback to realise I was muttering to myself as I did so:
‘Mother, make my bed soon, for I’m weary wi’ hunting and fain wald lie down’

I guess it’s easy to see the connection between the task and the poem, but what I had to consider was whereabouts in my memory that line came from… A little thought reminded me that it was part of the English Literature 1 course I undertook as part of my BA in Melbourne – our elderly lecturer (the Professor at the time) did love the Anglo-Scottish ballads and would read them aloud to us in his quavery voice (which became more quavery as the emotion of the ballad took over, so much so that he’d have to wipe his eyes and his nose on the edge of his academic gown... and then he’d clean the blackboard with the edge of the same gown!).

So I had to go and find my copy of The Oxford Book of ballads and read ‘Lord Randal’ over again, which led to another ballad, and another – the bedmaking did get done eventually though!

But that led me to mull over the place of poetry in our culture (and of course in other cultures). Children do love to hear poetry read to them – it doesn’t matter if the vocabulary is not your everyday vocabulary, or if the constructions are strange to our everyday ears. Who uses ‘fain’ in their daily contact with others? But the word and others like it will stick in the memory and be recognised the next time they’re seen or heard.

Nicola Bayley edited a delightfully illustrated poetry book, The necessary cat, (Walker Books); your cat-loving audience will revel in this, and it’s a great introduction to various poets – Keats, Wordsworth, Butler Yeats, Belloc feature in it. The poems were not written especially for children, but the subject matter ensures that they will be enjoyed.
 
Michael Rosen selected a well-illustrated set of poems which was published as Classic poetry (Walker Books again), and these are drawn from an even wider range of well-known poets writing in English, and some not so well known – Shelley, Byron, Rossetti, Frost, Sandburg, Wilcox.

And then there are books of poetry written specifically for children. Edward Blishen and Brian Wildsmith collaborated to produce the Oxford book of poetry for children, and Neil The new Oxford book of children’s verse. And what about the tried and true Oxford book of children’s Verse (Iona and Peter Opie)?

Last but not least, how about Old Possum’s book of practical cats?

Have a look in your library and see what you can find next time you need to calm a potentially noisy child or two – I am sure you (and they) will enjoy a poetry reading.



Patsy Jones

Sunday, 14 December 2014

Books that Changed the World

Recently I came across a reference to a novel by Mrs Humphry Ward. Robert Elsmere was a highly successful novel about a clergyman, who begins to doubt his Anglican faith after reading the German rationalists, and who develops a view of Christianity based on social commitment. Many thought it to have far greater influence on religion than Darwin’s Origin of the Species.
 
I thought about other books which have “changed the world”. Harriet Beecher Stowe’s Uncle Tom’s Cabin fuelled the antislavery movement; Steinbeck’s Grapes of Wrath led to legislation favouring farm workers and Anne Frank’s Diary of a Young Girl is a reminder of racial persecution.

I wonder how many Australian children’s books could be included in this list – My Place by Nadia Wheatley & Donna Rawlins?  Or is it no longer possible for a single book to influence large numbers of people? What do you think?

Richard Pickup


P.S. Mrs Humphry Ward was born in Tasmania in 1851.  She was the granddaughter of Thomas Arnold (headmaster of Rugby School) and was the niece of the poet Matthew Arnold.

Monday, 8 December 2014

Reviews – my book filter

Four or five of the 230+ books I’ve read so far this year were duds.  Why so few?  Because I read books recommended by real people – some are my friends, others are those wonderful people who write considered, thought provoking and well crafted reviews in quality journals such as Magpies, Kirkus Reviews, Booklist, Reading Time Online and Viewpoint.

Thanks to many tireless contributors and particularly to two recently deceased champions of children’s literature Jo Goodman and Maurice Saxby, I’ve been introduced to many authors whose works have enriched my life.

After 22 years, Viewpoint on books for young adults has produced its final issue.      As well as the author interviews and long reviews from some of Australia’s best reviewers, Viewpoint included reviews from school students. I will miss this journal.

Nella Pickup
 

Thank you book reviewers everywhere. If you have a favourite review journal why not post a comment and share with our readers. 

Sunday, 30 November 2014

The Power of Publication

I’ve heard adults talking about how gratifying it is to have their work published, so imagine how powerfully gratifying and motivating it is for a student. This week’s blogpost gives a voice to a student, Charlotte Walker, who describes her experience writing a poem and how it felt to have it published.  Helen Rothwell

Charlotte Walker, published poet.
Charlotte Walker, is a sixteen year old, Year 10 student at Glenora District School. She wrote a wonderful poem, in response to a class writing task, that her teacher suggested be entered into the 2014 Write As Rain competition for students’ short stories and poetry. While Charlotte was not a finalist, she did have the thrill of being the only entrant from her school and having her poem published in the 2014 Write As Rain book.
Competition details can be found on the Write4Fun website.

Charlotte, what was the task you were set to undertake?
My class were asked to write a ‘dark’ poem on a gothic theme. We brainstormed vocabulary and then I expanded it with my key ideas. I thought group brainstorming would be a boring, babyish activity, but it was a useful process I could apply to my writing.

What challenges did you face when writing your poem?
It was difficult to keep the ideas flowing and know if I was editing the poem properly, so the meaning wasn’t lost. I was also worried when I experienced blanks in my imagination.
I was motivated to write the poem because I wanted to challenge myself and prove that I could do it. I realised that writing a poem I’m happy with takes more than just writing in class, so I kept thinking about the poem long afterwards. I spent a lot of time at home, where it was quiet, just thinking.
I thought my vocabulary skills were good but not extraordinary. I chose words that really connected to me and meant a lot. I ready my peers’ poems and was given helpful feedback from my teacher.

How long did it take you to draft and edit the poem?
It took four weeks to write and edit, during class time and at home. The poem took longer to write than a narrative because I had to think so intensely about every word I used. In total it took eight drafts and five edits.

Did you know much about poetry before you wrote your poem?
I occasionally read war poetry in class and we had deconstructed poems to discuss their structure, but it was not the usual genre I write in. I knew that you express your feelings deeply in a poem and it is a more concentrated form of writing.

How do you feel about having your poem published in Write As Rain?
It has made a big difference to my confidence and made me more open and calm in class. Before I had my poem published, I was too shy to put myself forward. My classmates were really shocked because they didn’t think I had it in me to write something of that quality. Now, students come to me in class to read their writing and give them my impressions of their work.
Since I had my poem published, I find that I’m more confident writing at school and I spend about three hours a week, at home, writing in my own time. Being published has definitely helped my other school work, for example, my science procedural writing. I feel my phrasing has improved too.

Do you think there is a connection between your reading and writing?
I read a lot and feel I am a good reader. I like mystery books and books with dark themes. I also enjoy spending time in our school library, where we have a good selection of books. If I didn’t read as much as I do, I don’t think I’d have the vocabulary I needed to write my poem.

GOTHIC POEM
Trees standing tall
Cold wind blowing
The flowers are lifeless, drained
The shadows recede
Sun breaks through desiccated limbs
Dear sister, eternally still
Dewy grass comes to life where you lie.

Cold wind brushes her rosy cheeks
Lush green dress like the grass that grows
Brown hair
Twists, twines
Flows like a river
Down her face.

Dark shadow in the distance
Dusty clothing
Tall, thin
Seeking, silent
Chalk white skin
Hair like the thorns that cover the land.

As the moon rises
From day to night
My lover standing in the moonlight
Tonight is the night
We will become one.

As I turn
Rosy cheeks turn to chalk
Green dress turns black like burnt grass
Fangs appear
Relying on the one who created me
For my source of food.

                                                                 Charlotte Walker