Our Book Week Display

CBCA (Tas.) Inc. was thrilled when the Australian Broadcasting Corporation (ABC) offered us the opportunity to install a display in the foyer of the ABC building at the Railway Roundabout in Hobart this year. So on the morning of 17 August, Rosemary, Helen, and Patsy, with the assistance of a couple of stronger, younger, fellows (one of them an ABC staff member), were busy setting up our display.

We managed to complete it in time to go home and wait for the email announcing this year’s CBCA Book of the Year Award winners, and are very pleased with the overall effect. The display will stay there until Monday 27^th August.

So if you have some time this week, do call in and have a look. Our thanks go to all who provided display items, and to the ABC for the use of the space.

And congratulations to the 2012 Award winners from the Tasmanian branch of The Children’s Book Council of Australia!

The Olympics, Peter Pan and a New Family Tradition - by Maureen Mann

Wasn’t it great to see that children’s literature had a section in the Olympic Games Opening ceremony! The whole evening was an excellent story-telling session, presented for the world to see. Did you miss the references? There was Peter Pan (published 1911) during the scene celebrating the Great Ormond Street Hospital for children. GOSH receives royalties from any adaptation in any format (audio, stage/film, print, toys etc) of Peter Pan -- a far-sighted decision by J. M. Barrie, and of Lord Callaghan who changed the 1988Copyright Act once the first copyright expired, 50 years after Barrie’s death. In the UK, copyright fees are now in perpetuity to GOSH though this is not the case in other parts of the world.But back to the Games Opening Ceremony. 

The organisers also had references to Chitty Chitty Bang Bang (written by Ian Fleming, published 1964), Mary Poppins (by P. L. Travers, published 1934) and some of the dark elements of J. K. Rowlings Harry Potter series. JKR herself read some of Peter Pan. These are perhaps not the titles which I would have chosen but they fitted in well with the rest of the performance. Did you agree with the Olympic Committee’s choices? If not, what would you have included?

On the theme of story-telling. We have recently spent 2 weeks with Gabriel, our four year old grandson, and some of the best times were sharing stories with him. Of course, we had to read his current favourite books, largely dominated by dinosaurs. Another book we had to keep returning to, and one he has recently become ‘brave’ enough to read, was Sally Grindley’s Shhh! The first time I shared it with him, about 18 months ago, he ended up a quivering mess, brought on by the threat (from the book) of the giant getting him and the final words: ‘Quick! Shut the book!’ So the book was put away until he came across it again while we were there. 

Occasionally I regretted his new-found delight when I read it for the 10^th or 12 time without a break. After the success of this title, we started including the concepts into our stories. There was a giant (of course) but Gabriel and several of his friends became characters, along with those from other traditional tales. Jack made a regular appearance, as did Hansel and Gretel and several versions of wicked witches.

Each of these sessions – in the car, at home before bed or breakfast or other odd times during the day – became a wonderful joint sharing time. Not only did we (as adults) put our ideas into the telling, but Gabriel had firm ideas who had to become part of the tale and how they would behave. He created a character list before we began. Of such stuff are great relationships made and oral traditions begun.

A residency at ‘Pinerolo’, the Book Cottage - by Rosemary Mastnak

As a relative newcomer to the field of children’s book illustration, it is with a certain amount of temerity that I step over the threshold of ‘Pinerolo’ Book Cottage.

Walls are covered by originals from award winning illustrators, the bed room shelving chock a block with 3,000 neatly stacked picture books and folders of story boards and preparatory sketches for books in all stages of the production process are on display and accessible for the student.

Me!

Just a tad daunting!

Just inside the door a bookcase of first editions and rare books rub shoulders with a display of original matted and cellophaned illustrations.

Among the books for sale displayed in crates on a table I find several to bring home for the grandchildren.

Stacks of books waiting for reviews invade the kitchen and congregate around Margaret’s work space, ever increasing with each visit Max makes to the Post Office in Blackheath, or the courier’s knock.

Margaret gathered me up from Blackheath, in the Blue Mountains, with my shopping (the cottage is self catering), my little bag of clothes and an extremely heavy suitcase containing my sketch pads and equipment ready for a week of work.

And that I certainly did!

I find a routine essential for progress and to this purpose, arose early for a brisk walk along the Shipley plateau, accompanied by carolling bird song, in the crisp, breath- blowing air.

By the end of the week there were five white camellias in a glass, plucked daily from a road side hedge.

Breakfast and then to work by 9.00.

A desk and day light lamp, in a comfortable warm room, served as my studio for five days

Margaret came over from her elegant sandstone Italian-influenced home, (built by husband Max, also an ex-librarian as well as co-publisher of Margaret Hamilton Books), at 10am. It is no surprise to find an extensive library included in the design.

Some time would be spent discussing my pieces and progress was checked regularly during the day.

Margaret gave unstintingly and selflessly of her wealth of knowledge and experience in the book industry, always willingly answering my many queries, and showing me the intricacies of making a story board, something of which I had little knowledge.

From children’s librarian, bookseller, and publisher, a parent of a reader, and her long involvement with CBCA, one can see why Margaret is the most worthy recipient of many distinguished awards, including an Order of Australia for Services to Children’s Literature.

At lunch time we all sat together on the pleasant terrace in the sunshine admiring yellow breasted robins, honeyeaters, parrots and magpies that are regular visitors.

Then it’s back to the drawing board!

Margaret’s mentoring and editing services have been invaluable to me and it’s largely due to her help and encouragement that I now have two books ready to present to publishers.

During my time at ‘Pinerolo’, Margaret made me her prime focus and I am indeed indebted to the Copyright Agency Ltd. who funded this project to host 4 residencies for emerging and/or established children’s book illustrators in 2012.

Margaret, a great champion of the contribution made by illustrators, showcases 22 Australian Illustrators in her ABC Book of Australian Children’s Illustrators, published by ABC Books, 2005.

“One of the highlights of my long career in children’s books has been the opportunity to work with illustrators on picture books. The whole creative process from manuscript to finished book is exciting, demanding and immensely rewarding”, she writes.

Thankyou, Max and Margaret for your care, kindnesses and expertise and for welcoming me so warmly to ‘Pinerolo, your little piece of Paradise.

Rosemary Mastnak July 30^th,2011

To find out more about Pinerolo, visit www.pinerolo.com.au

Rosemary Mastnak

Book Art! by Lyndon Riggall

My housemate Rach is always sanding something down, cutting something up, or glueing something on. She's a maker. Aside from that though, she's a reader too, and many of her creations are a throwback to favourite pieces of literature. Like our new mailbox, modelled on the Little Golden Book The Pokey Little Puppy.

Or this collage of odd socks that highlights a moment in which surely every Harry Potter fan cheered as they finished the chapter - when Lucius Malfoy accidentally grants Dobby his freedom.

Or maybe even this set of headrests from her Dr. Seussmobile?

No. I'm certainly not biased, and my favourite is this, my 22nd birthday present. A table and chairs decoupaged with Batman comics.

You don't need me to talk much this week, the images will speak for themselves. Maybe I can encourage you to think though, about what else can be done with a book, and how they can brighten a home as well as a mind.  The best part? You don't even have to come up with something of your own! All of Rach's projects are detailed on her blog at Bags of Character: http://www.bagsofcharacter.blogspot.com.au/

Just pick one and have a go! Best of luck!

Literature for children & young people – why does it matter & who cares? - by Jenni Connor

Reflections from an ‘old teacher, principal, curriculum writer & long term member of the Children’s Book council of Australia’ (CBCA). (Jenni Connor has just completed her term as Tasmanian Judge on the CBCA Awards Panel.)

In May this year, I was thrilled to attend the Maurice Saxby Lecture, presented by the Professor of Education and the Arts at Sydney University, Robyn Ewing.

Now ‘Maurie’, as I have known him, is in his ‘wisest years’, an elder statesman who still guides the NSW Branch in his gentle way and is still writing passionately about literature for children and young people for newspapers, magazines and journals. Maurice’s contribution to Australian Children’s Literature and the work of CBCA – which is HUGE – has been recognised through myriad awards, including Tasmania’s own Nan Chauncy award & the Dromkeen Medal; he is a Member of the Order of Australia and was the first National President of the CBCA.

I first met Maurie when we were judges in 1987 (that’s how old I am); he was already ‘famous’ and I was an ingénue from little old Tasmania. The revered Maurie could not have been more charming, oh, so gently reminding the panel of 8 judges about the criteria pertaining to each award and, regretfully, insisting that some titles that might have made the Older Readers category were really ‘Young Adult’ and beyond the scope of the awards at that time; he also quietly asked ‘Did you mean to have four books about dolphins in your shortlist?’ (Because that’s where we were heading.)

Tasmania hosted Maurie when he came to receive the Nan Chauncy Award and he was witty and charming as ever; he even endured a VERY hot walk into Chauncyvale the following day, although he declared he didn’t think he would be capable of repeating that experience.

So, it was a total joy to see Maurie thriving and among his friends at the Saxby Lecture. He had initially objected, saying ‘I’m not dead yet’, but Margaret Hamilton assured him it was not yet a ‘Memorial Lecture’.

Robyn Ewing, who is not only Professor at Sydney Uni, but has been president of key organisations devoted to teaching and literacy, such as Primary English Teachers’ Association (PETA) and the Australian Literacy Educators’ association (ALEA), spoke passionately about the core role of the arts, including the literary and visual arts, in the education of young people and the cultural life of a civilized society.

The event was hosted at the State Library of NSW and attracted an audience of over 200 writers, illustrators, educators, librarians, parents and members of the public.

I guess I’m interested in the fact that, when CBCA Tasmania worked hard to organise a valuable professional learning event in NW Tasmania, it was extremely difficult to get ‘a quorum’ because busy teachers were understandably preoccupied with student assessment and report writing.

I’m interested to ask: Have we got our priorities right? Should all schools be institutional members of CBCA Tasmania in support of ‘a cultural life and a civilized society’? Should all schools have access to a qualified school librarian to provide informed promotion of quality literature for young people? And, ‘How can we help people to realise that the path to literacy is paved with good books?’

Newspapers, including the Mercury, have recently run articles showing what a powerful tool ‘reading to young children’ can be in enhancing school and literacy success. Maybe we’re on the cusp of a reawakening to the immense joy and value to be found in the amazingly high quality literature Australian writers, illustrators and publishers produce??? I can only hope so.

Maurie and others have shown the way; let’s not lose another light on another hill!

It's All About The Story - by Nella Pickup

When we moved into our home 31 years ago, we made a stained glass window for our bathroom – a rainbow with a pot of gold.

Rainbows and pots of gold come in many guises. Rainbows are bright, elusive, and heavenly. Humans have used them to symbolise peace, hope and unity. For the more prosaic, a rainbow is a natural phenomenon- something science can explain.

We didn’t have enough sunshine for a rainbow, but the pot of gold was full. Carol Fuller, my husband Richard and I spent the last few days with Catriona Hoy and Claire Saxby as they spoke about linking literacy and primary school science using picture books. Their sessions were highly entertaining and informative. They are warm and very easy going people - a delight to host. Special thanks to them and to our very own Jenni Connor for their entertaining, informative and inspired presentations at Reading – it’s rocket science and more.

As I read the paper on Saturday and saw an advertisement for someone to write an Aboriginal children’s book on domestic violence, I remembered a comment made by all three speakers. “The story comes first”. Whenever we read a book, especially when we read to a child, choose the story. Books can be used for bibliotherapy or to instruct but all of us will learn the lesson much better if the story comes first.

More information about Reading - it's rocket science and more can be found at the CBCA events page.

How I learned to read - by Carol Fuller

Do you remember when you learned to read; when the sounds you made connected up with the squiggles on the page and imparted meaning? Most people will say that happened at school but I really question that.

While it is almost impossible to remember my own experience, I can well remember my daughter’s and I am now experiencing my grandson’s language development and I would say most definitely that all our language skills started well before we went to school.

From birth most parents start to teach their child to recognize objects and repeat the sound which labels that object. By being shown the object and hearing the sound repeated the child gradually builds a vocabulary upon which to build their first hesitant oral communications. What happens to a child’s developing vocabulary if there is little of this instructional conversation happening in the home?

The same happens with a child’s reading. They hear the story, illustrated and supported by the pictures which give added clues to the meaning of the story and if the story is heard enough times the child can say the story themselves by heart without the need to actually read the words. At some point in these repeated story hearings, helped by a nurturing parent, grandparent, older sibling or other, the fledgling reader begins to recognize that particular squiggles represent particular sounds, especially if at the same time the nurturing guide points to those squiggles and starts to ‘teach’ the child the alphabet sounds; both the long and short sounding alphabets that is. 

 So what happens if there are no books in the house, there is no reading of stories, no pointing to words and pictures, no saying of BOTH alphabets? What happens to that child’s grasp of talking, saying, reading and understanding? At best those children may be disadvantaged but school will help them. At worst these children will lag behind their peers by several years of lost developmental opportunity. No parent would want to do that to their child would they?

So almost by accident, and before she had even entered a formal classroom, my daughter learned the process of reading as will her son I expect since at three he can already tell me the words on each page of his ‘Little Monsters’ book by Jan Pienkowski. He even tells me the words with understanding because it is a very short and simple group of ideas with very engaging pop out pictures that stimulate and remind him of the story.

So what is the point of this blog? The message is that if parents want to give their children the best advantages in life, they cannot afford to waste those years prior to formal school. They have a most important opportunity even responsibility to start their children’s language development from birth. This means talking, using words, singing nursery rhymes, explaining words and most of all having books to read and share. Learning in the home before school starts sets a child up for life.

Certainly school honed and consolidated what I learned at home but there were at least five years of language development before that. I don’t think my parents understood what an advantage they were giving me. They were of a generation who thought school had all the answers but after many years as a teacher and then as a mother and grandmother I understand that it was they who set me on the right track. Thank goodness for me that my parents didn’t waste a moment of my pre-school years. Shouldn’t all children be as lucky?

Signed, Signed, Signed, Signed, Signed! By Lyndon Riggall

So I've hit a point where I'm wondering why I ever buy unsigned books. In the current economic climate it is more important than ever that we sometimes go out of our way to buy books from independent stores rather than massive chains like Kmart of The Book Depository. But even I can't deny the bargains on offer by massive establishments that can buy mountains of books at a reduced price and pass that saving on. How could an indie establishment compete? The answer for me is simple: give me scribbles.

I love signed books. I love owning a copy of something the author has touched, I get inspired by the inscription they write for me, and they make really lovely gifts to other fans. I'll happily waive my free postage perk if I can get hold of an inscription. Tracking them down though, can be hard. I've been to quite a few really great author events in Tassie recently, Isobelle Carmody and Christopher Paolini to name the two that I was most excited about. But what about my international favourites, who might have no plans of coming anywhere here for a long time yet?

Recently I've struck up alliances with two great bookstores in the U.S. One is Quail Ridge Books in North Carolina, the other is Word in Brooklyn. They've both been really great at allowing me to pre-pay for books that they've sent to me after the authors have visited them. In the past few weeks I've seen copies from John Scalzi, John Hodgman, Lev Grossman and Josh Ritter arrive at my door, and I've been so excited about opening them up. The bookstores have only been too happy to help, and the nature of some of the inscriptions seems to indicate that the authors have too, and have been told a little bit about me by the bookstore staff.

So here's my advice: give yourself a treat. Look up your favourite author, and check their upcoming appearances. It'll usually be under a tab with a title like 'Events' on their official website. Find a bookstore they're heading to in the next couple of weeks that you like the sound of, and either email the store or call them up (from a home phone it's not expensive and they're fun to talk to!) asking if you can pre-pay for an inscribed copy.

Support your authors, support your independent bookstores, and buy something unique from the other side of the world. This really is what the internet is for. Then, when it arrives, ravenously tear open the box and sit back in your armchair, reading a favourite that the author has touched with their very own hands. Do all this and remind yourself how lucky you are. Ebooks haven't quite taken over all the old pleasures just yet.